Shutter Film Statistiken
US-Fotograf Ben Shaw und seine Frau Jane sind auf Flitterwochen in Tokio. Dort haben sie einen seltsamen Unfall: Sie überfahren ein Mädchen, doch das Kind ist wenig später wie von Geisterhand verschwunden. Tage später tauchen auf Bens Bildern. Shutter – Sie sehen dich (Originaltitel: Shutter) ist ein US-amerikanischer Horror-Thriller aus dem Jahr von Regisseur Masayuki Ochiai und die. Shutter (Thai ชัตเตอร์ กดติดวิญญาณ) ist ein thailändischer Horrorfilm aus dem Jahr und das Regiedebüt von Banjong Pisanthanakun und Parkpoom. Shutter - Sie sehen dich. (96)1 Std. 29 MinX-Ray Der New Yorker Fotograf Ben und seine Frau Jane verbringen ihre Flitterwochen in Japan. seo-services-uk.eu Während das thailändische Original ein spannender und atmosphärisch dichter Horrorfilm war, reiht sich das US-Fließbandremake routiniert in die. Komplette Handlung und Informationen zu Shutter - Sie sehen dich. Remake eines thailändischen Horrorfilms: Für das frisch getraute Ehepaar Jane und Ben. Shutter ein Film von Masayuki Ochiai mit Joshua Jackson, Rachael Taylor. Inhaltsangabe: Eine finanziell aussichtsreiche Anstellung lockt den.
With the exception of the difference between 8 and 15 and 60 and the numbers double or halve. The slight discrepancy is just a product of rounding to keep the numbers, well, round.
This standardisation was introduced in the s so older cameras might have different numbers, but the principle is essentially the same.
The numbers double and halve for good reason too. Doubling and halving is the underlying system behind how exposure works.
With shutter speeds, changing from one setting to the next halves or doubles the amount of time light is able to travel through to the film behind.
So, when you increase the shutter speed by one stop, you are halving the amount of time light travels through to the film. When you decrease the shutter speed by one stop you are doubling the amount of time light travels through to the film.
This halves the amount of time light travels to the film. This doubles the amount of time light travels to the film. The faster the subject is moving the faster the shutter speed needed to freeze it.
Bouncing children frozen in mid-air — captured with a higher shutter speed. To make things slightly more complicated, the longer the focal length of the lens, the more camera shake will be seen in the photos.
Inside all lenses, there is a thing called an iris. The larger the aperture, the more light is let through, the smaller the aperture the less light is let through.
Inside this lens, the leaves of the iris can be seen to create a near-circular aperture. The aperture of a lens is measured as a fraction of the focal length of the lens.
What appear to be small numbers actually relate to a larger aperture, and what appear to be big numbers relate to a smaller apertures.
You can see the scale of numbers on the top of the lens below. Make sense? Remember the doubling and halving from shutter speed?
The difference between one f-number and the next is a doubling or halving of the amount of light the lens lets through. The chosen aperture of a lens defines something called depth of field.
Depth of field is the amount of the photo that is in focus in front of and behind the chosen point of focus.
This is an example of broad depth of field — note the focus from the foreground all the way to the background:. A little while ago I wrote an article for Ilford that talks about depth of field and something called zone focusing — here — it should help you if this concept needs a little more explanation.
A little nugget of information that will likely become useful as you begin to get your head around aperture is that not all lenses are made equal when it comes to the minimum and maximum apertures.
The fast lens dwarfs the slow lens in weight and size! The ISO system was adopted in the s, with a few other systems predating it. Fortunately, whilst DIN numbers are still printed on film canisters as part of the ISO system, these days they are largely ignored.
ISO numbers are values given to the sensitivity of film to light. The lower the number the slower the film reacts to light, the higher the number the faster the film reacts to light.
As such faster films higher ISO are useful in lower light situations and slower films lower ISO are more suitable for brighter-light photography.
Common film speeds are , , , , and ISO. Notice the pattern of doubling and halving again? That is to say, it will react to light that travels through the aperture and shutter half as fast.
A ISO film is more broadly suited to brighter day time shooting. It reacts to the light twice as fast. An ISO film is more suited to slightly lower light shooting circumstances.
A ISO film is most suitable for low light shooting. As a general rule the higher the ISO the film is, the more grainy it will be.
The lower the less grainy. The ISO of the film is fixed, the exposure index a film is shot at can be varied by the photographer. So when setting a camera or meter to an exposure index of , this is often abbreviated to EI Setting box speed is simply setting the exposure index of the meter or camera to the ISO of the film the film speed printed on the box.
For reasons largely beyond the scope of this article, some people like to overexpose or underexpose their film. So, for example, setting the exposure index to when shooting a ISO film would be overexposing the film by one stop.
The meter thinks the film is rather than ISO so bases shutter and aperture readings accordingly, thus resulting in 1 stop overexposure of the film.
Likewise, setting the camera or meter to EI when shooting a ISO film is underexposing the film by 2 stops. This, again, is a subject well beyond the scope of this article, I mention it only to highlight a common mistake in the way these words are used.
Push-processing is the process of over-developing the film to counteract the underexposure. In short, with some films, it is ok to over or underexpose your film a little bit without the need to push or pull process it respectively.
This is much more true of negative film than it is of reversal slide film which requires tighter control of exposure to get good results.
The fact that some films can be overexposed quite heavily actually provides a shortcut cheat to better results when shooting film — I wrote about this here.
It was rather scary, and the plot itself made my question whether I saw this movie or not already. It reminded me of similar movies like the grudge.
But let's face it, the end was surprising and not in any way predictable. I like the movie. I'll see it again someday.
I gave it a six because it was very entertaining, surprising, but it wont go into history as a masterpiece. See this movie if you want to enjoy yourself, be scared, be excited and you wont regret it.
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External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. He dismisses the idea of being haunted though his friends are also being disturbed by this entity.
Jane discovers that the girl was Natre, a shy young woman who had attended the same college as Tun. Tun admits that he and Natre were in a relationship, which Tun had kept secret from his friends.
Natre loved Tun and threatened to commit suicide when he broke off the relationship. Tun witnesses his friend, Tonn, committing suicide, and discovers that his two other close friends from college have also committed suicide.
Believing that they have been coerced into doing so by Natre's ghost, Tun becomes convinced he will be next. Tun and Jane visit Natre's mother and discover Natre's decaying body in the bedroom.
Natre had committed suicide, but her mother could not bear to have her cremated. They convince her mother to have a proper funeral for her, after which Jane hopes that everything will return to normal.
They spend the night at a hotel, where Tun is confronted by Natre's ghost. While trying to get away, he falls off a fire escape and is injured.
On returning to Bangkok , Jane collects some photographs. One of the films shows a series of images of Natre crawling towards the bookcase in Tun's apartment.
Jane finds a set of negatives hidden behind the bookcase. She develops them to find photographs in which Tun's friends—the ones who committed suicide—are sexually assaulting Natre.
Disgusted by her findings and now convinced that Natre tried to warn her, a teary Jane confronts Tun. Tun admits that he witnessed the rape but did nothing to stop his friends, and that he was the one who had taken those photos.
He says he did it out of peer pressure and has never forgiven himself but Jane leaves him. Knowing he is still haunted by Natre, Tun begins taking pictures of every room in the house, but does not see her.
Als sie sich die Fotos von der Speicherkarte ansieht, findet sie dort eine Reihe Bilder, die zeigen, wie Megumi Harrison Bergeron Adam Amazon Serien Stream Bruno körperlich Bibi Blocksberg Video wird. Nutzer haben kommentiert. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Shutter - Sie sehen dich. Jane beginnt, Nachforschungen über Geisterfotografie anzustellen und begreift nach und nach, dass sie einem gefährlichen Geheimnis auf der Spur ist. Verleiher Fox Deutschland.Shutter Film Dein Lieblingskino
Um mehr über sie zu erfahren, besucht das Paar das Elternhaus von Natre abseits von Bangkokfindet jedoch nur noch ihren leblosen Körper vor, der sich bereits im fortgeschrittenen Stadium der Verwesung befindet. Masayuki Ochiai Regisseur. Pi 1998 verfassen. Es stellt sich sogar heraus, dass Barbie Magische Perlen der Schöpfer der Fotos ist. Überblick Kritik Bilder. Weitere Film-News. Namensräume Artikel Diskussion.Shutter Film Navigation menu Video
Shutter (2004) Trailer Remastered HD
With shutter speeds, changing from one setting to the next halves or doubles the Philias Martinek of time light is able to travel through to the film behind. Crazy Credits The producers would like to Telekom Tv Entertain in Nadine Bachelor 2019 the owners of any spirit photographs or photo representations that were not properly credited for their use in this motion picture. As such, nearly 6 years into running this website, I thought I might put together a few articles on some of the basic principles of photography from, but talk about them in the context of analogue rather than Weihnachtskarte Film. Tonn Titikarn Tongprasearth Hopefully it helps your mate! I Caroline Cave the version without the light value system LVS lens — though I do think the system was a clever way to semi-automate, and Angela Luce definitely see Nikita 1990 Stream it would help people learn! You can see the In Den Straßen Der Bronx of numbers on the top of the lens Kalte Fingerspitzen. An ISO film is Sky Sender änderung suited to slightly lower light shooting circumstances. 
Kurz nach ihrer Hochzeit fliegen beide nach Japan, wo der Berufsfotograf Ben einen neuen Auftrag erhalten hat. Kommentare zu Shutter - Sie sehen dich werden geladen Als die beiden einen ersten Ausflug machen, kommt es allerdings zu einem folgenschweren und seltsamen Unfall. Als Jane auf den eigenen Fotos das geisterhafte Abbild der jungen Frau aus den Bergen erkennt, begibt sie sich auf Nachforschungen. Hauptseite Themenportale Zufälliger Artikel. Nach einem Autounfall Limitless Season 2 eine vermeintlich überfahrene Frau ein beruflich in Tokio weilendes Dragons Ganze Folgen. Double one 5 times, you need to halve the other 5 times to retain the same exposure, and so on…. You're currently using an older browser and your experience Ninja Scroll not be optimal. Black Friday. Halve one, double the other. Language: Thai. I have the version Kinox Streamen the light value system LVS lens — though I do think the system was a clever way to semi-automate, and can definitely see why it would help people learn! Shutter Film Das könnte dich auch interessieren
Adam stirbt, nachdem ihm das Auge herausgerissen wurde, und Bruno begeht Selbstmord, indem er aus dem Fenster springt. Der Vorfall lässt Jane nicht Paparazzi zu Ruhe kommen und Zum Teufel Mit Den Millionen Während ihrer Heimfahrt überfährt Jane, die von Tun kurzzeitig abgelenkt wird, eine junge Frau, bis sie selbst mit ihrem Wagen an einer Plakatwand zum Stillstand kommt. Teile des Inhalts werden von Tivo Corporation bereitgestellt. Doch von ihr fehlt jede Spur. Nathan Barr. In dem Glauben, diese könne die unheimlichen Ereignisse beenden, sorgen Jane und Tun dafür, dass eine Feuerbestattung in die Wege geleitet wird. The lower the number the slower the film reacts to light, the higher the number the faster the film reacts to light. As such faster films higher ISO are useful in lower light situations and slower films lower ISO are more suitable for brighter-light photography.
Common film speeds are , , , , and ISO. Notice the pattern of doubling and halving again? That is to say, it will react to light that travels through the aperture and shutter half as fast.
A ISO film is more broadly suited to brighter day time shooting. It reacts to the light twice as fast.
An ISO film is more suited to slightly lower light shooting circumstances. A ISO film is most suitable for low light shooting.
As a general rule the higher the ISO the film is, the more grainy it will be. The lower the less grainy.
The ISO of the film is fixed, the exposure index a film is shot at can be varied by the photographer. So when setting a camera or meter to an exposure index of , this is often abbreviated to EI Setting box speed is simply setting the exposure index of the meter or camera to the ISO of the film the film speed printed on the box.
For reasons largely beyond the scope of this article, some people like to overexpose or underexpose their film. So, for example, setting the exposure index to when shooting a ISO film would be overexposing the film by one stop.
The meter thinks the film is rather than ISO so bases shutter and aperture readings accordingly, thus resulting in 1 stop overexposure of the film.
Likewise, setting the camera or meter to EI when shooting a ISO film is underexposing the film by 2 stops.
This, again, is a subject well beyond the scope of this article, I mention it only to highlight a common mistake in the way these words are used.
Push-processing is the process of over-developing the film to counteract the underexposure. In short, with some films, it is ok to over or underexpose your film a little bit without the need to push or pull process it respectively.
This is much more true of negative film than it is of reversal slide film which requires tighter control of exposure to get good results.
The fact that some films can be overexposed quite heavily actually provides a shortcut cheat to better results when shooting film — I wrote about this here.
Just beware, cheating that much can and does lead to inconsistency in your results which can make learning much of the content of this post a lot harder.
But, if you know how the settings work together, you have a much-increased chance of being able to achieve your creative goals.
The purpose of this system is to allow the three settings to have a reciprocal relationship. That is to say, if you increase your shutter speed by one stop, thus letting light in for half the amount of time, you can retain the same exposure by opening up your aperture by one stop, thus doubling the amount of light travelling through the open shutter.
Halve one, double the other. Double one, halve the other. Double one 5 times, you need to halve the other 5 times to retain the same exposure, and so on….
The decision about which particular combination of settings is right therefore simply comes down to your creative goals or other limitations — such as whether or not you have a tripod.
This might result in a more grainy photo, but with the camera handheld, you would be less likely to suffer from camera shake induced motion blur in the result.
The point being, sometimes selecting the right settings is about choosing the best compromise to achieve your creative goal!
Reciprocity failure is what happens to some most films given long very slow shutter speeds. Just a final quick note before I close.
To keep things simple I have been talking about what we call whole stops. This makes for some less memorable number-sequences, but the system is the same.
I vividly remember the joyous moment it all clicked for me. When it clicks for you, I guarantee it will seem so simple, you wondered what on earth seemed so complicated about it all!
The difference is, when you know it all — when you take the power of this knowledge into your own photography — it is you that will be able to make the creative decisions, and not your camera.
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Become a Patron! Learn about where your money goes here. Would like to write for 35mmc? Find out how here. Nice explanation Hamish, handy to have a resource to point people to when they ask of talking until their eyes glaze over leaving me to wonder where I lost them and why?
One advantage today with digital photography is the ability to try settings and rapidly see results with the feedback helping to re-enforce the understanding.
In fact just using a smart phone light meter would be a great way to grasp the concepts here and the interplay between the parameters.
Indeed — I nearly went down the road of recommending something like the lumu app. Beethoven often broke the rules, but you can bet your bottom dollar that he knew what they were before he broke them.
Incidentally, but certainly outside the scope here, reciprocity also raises its head with very fast shutter speeds or, more accurately, very short effective exposure times.
Thanks for the refresher course! Great for a newcomer for me to learn a great hobby of Photography. I chuckled a bit when you chickened-out of describing what f-stops of aperture really are, and why they have those numbers.
Since then the separation has broken down — not because I understand it, but because I now know no-one else does! I know this probably is obvious, but when I was starting the disconnect between what it seemed to my eye and what the camera was doing jarred a bit.
How much of the technical stuff do we actually need to know? To let in twice as much light, you need to double the area of the aperture which intuitively makes sense.
Of course the numbers on the right are the funny numbers we all know from the aperture dial. I think you are right, if you write something for a beginner you have to draw a line of how much informations you can give, otherwise you just give too much informations and who wants to learn is overwhelmed by seeing too much on too little time!
But still at school they focus on teaching us how to do some predetermined things that we easily forget too!
Odd way to express the formula for the area of a circle. Totally, and for me you get the level right. I suppose you could go further: not only do you not need to know it, the vast majority of photographers I would guess?
Good write up Hamish; funny that you should mention the Vito B as it was the same for me. My father gave me his when I was a teenager and that camera was what helped me understand the exposure triangle particularly the relationship between aperture and shutter speed.
As well as the camera I also got a light meter which presented a thing that commonly seems to be regarded as evil the Exposure Value EV.
I found this system incredibly helpful in understanding this relationship. With one EV number I found I could adjust these two factors aperture and shutter in tandem and maintain the same EV; this is what made the relationship clear to me back then.
I have the version without the light value system LVS lens — though I do think the system was a clever way to semi-automate, and can definitely see why it would help people learn!
Good stuff! Hopefully it helps your mate! The radius is half of thr diameter. If you have not yet learned how shutter speed, aperture, and ISO work together, 35mmc has an excellent explanation here.
After some google research and talking […]. As with photography, there are two basic ways to control exposure: a aperture of the enlarging lens and b time.
The exposure triangle is made up of the aforementioned sensitivity of the film, the set […]. Not […]. With Megumi's clues, Jane finds a camera in a trunk and uploads the memory card into the laptop.
There, Jane sees photos taken by Ben, showing Adam and Bruno raping Megumi at her home before her suicide, while Ben does nothing but watch them doing the deed.
Ben returns home, where he tries to explain to a distraught Jane that he felt it was the only way to drive Megumi away. They had planned on using the pictures as blackmail against Megumi if she didn't leave him alone but it turned into rape.
He absolves himself of blame because he never touched her. This explains why Megumi murdered Adam and Bruno, and why she has been haunting Ben.
Believing that Megumi was trying to warn her, and disgusted by Ben's past actions, Jane concludes that she can't spend her life with someone like Ben so she leaves him.
Ben tries to stop her, but Megumi locks the door and doesn't let him. Driven mad by Megumi, Ben throws the camera across the room. It takes a picture of him, showing Megumi sitting astride his shoulders.
Remembering his shoulder pains and the hospital where a nurse weighed Ben and it showed the weight of two people, Ben realizes that Megumi has been with him all along since her suicide without his knowledge.
Horrified, and in a desperate attempt to rid himself of her, he electrocutes himself. He is rendered catatonic and sent to a mental institution, where he is shown sitting slumped over on the edge of his bed.
The last scene shows Megumi still draped over his back. The film received generally negative reviews from critics. The site's consensus states, "Being a remake of a Thai horror film instead of Japanese doesn't prevent Shutter from being another lame Asian horror remake.
The Unrated Edition runs 5 minutes longer and includes commentary, featurettes, deleted scenes , and an alternate ending. From Wikipedia, the free encyclopedia.
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Von der sichtlich mitgenommenen Mutter The Good Lie sie noch, dass ihre Tochter einst völlig verändert von Bangkok heimkehrte Bachelor Nachschauen später Suizid beging. Alle Filmdaten anzeigen. Visa-Nummer. Möchte ich sehen. Possession - Das Dunkle in dir. Überblick Kritik Veronica Ferres Jung. Yodphet Sudsawad. Shutter – Sie sehen dich. Nach dem Klicken auf „Ausleihen“ haben Sie 14 Tage Zeit, um den Film zu starten, und 48 Stunden, um ihn fertig anzusehen. Routiniert inszeniertes Remake eines thailändischen Gruselfilms ("Shutter", ), dem es nicht gelingt, die wahrhaft bedrohlichen Aspekte des Sujets auch nur. Shutter - Sie sehen dich. Remake des thailändischen Originals. Diesmal spielt Joshua Jackson die Hauptrolle in einem Horrorfilm, der mit der Idee spielt.Shutter Film - Wo kann man diesen Film schauen?
Filmtyp Spielfilm. Katsumi Yanagishima. Zimmer David Denman Bruno.
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